Born in Sri Lanka, educated in Ireland and having lived in Far East, Middle East, USA, Europe, Mustafa Khetty has lived what most would say is a diverse and multicultural life, taking on a long and exciting business career in Investment Banking and IT. Mustafa is now ready to take on the music world and excited to focus on his love passion for music. His musical journey began in the early stage oh his life when he was exposed to Indian classical music and later on western classical, progressive rock and other genres. He then began to write music at age 12 and scored the first sketches of a Rock/classical fusion concerto, toccata and fugue and other pieces by 15. Inspired by Art, Architecture, Literature and Philosophy along with musicians such as Yes, Genesis, ELP, Jethro Tull, Bee Gees, Beatles, Enya, Mike Oldfield, Tangerine Dream and Kitaro. Mustafa has created a sound which has ranges across different genres and fusion of both western and eastern styles and instruments merging soundscapes forming a tapestry of moods, emotions, rhythmic patterns and harmonic layers. Mustafa Khetty truly can be described as a rocker, humanist, classical aficionado, multi ethnic at heart and culturally a melting pot.
The new single, Requiem for New Zealand, was originally inspired by the tragic events in Christchurch, New Zealand on 15th March 2019, when a terrorist attack left 51 innocent people murdered and 49 injured. Requiem for New Zealand is dedicated to victims of hate crime around the world.
Sony’s recorded music revenues hit $4.17bn in calendar 2019, according to MBW’s calculations – representing year-on-year growth of $255m or 6.5%.
In a year that saw the release of global smashes including Lil Nas X’s Old Town Road, Sony’s annual recorded music streaming revenues rose by $389m in calendar 2019, up 19.3% YoY to $2.4bn.
Annual physical music sales dipped by $106m in the 12 months to $803m, while download sales fell by $61m to $321m.
MBW is able to make these calculations as Sony Corp has today (February 4) announced its results for calendar Q4 2019 (its fiscal Q3) – i.e. the three months to end of December.
In that quarter, Sony’s recorded music operation once again generated over a billion dollars – $1.16bn – up 11.4% year-on-year.
Sony’s recorded music quarterly streaming revenues grew by 20.6% YoY in calendar Q4 2019, hitting $669m.
The recorded music projects that generated the most global revenue for New York-based Sony Music in calendar Q4 were, in order: (i) Fine Line by Harry Styles; (ii) Fear Inoculum by TOOL; (iii) Courage by Celine Dion; (iv) What You See Is What You Get by Luke Combs; and (v) Romance by Camila Cabello.
Sony Corp has also broken out the Top 5 revenue-generating projects for Sony Music Japan in calendar Q4, which were, in order: (i) UNSER by Uverworld; (ii) WE DO by Ikimono-Gakari; (iii) Zurui yo Zurui Ne by =LOVE; (iv) Yoake Made TsuyogaranakutemoIi by Nogizaka46; and (v) Fate Song Material by Various Artists.
Italian Alternative/Nu Rock band, OVERLAPS, have released a new lyric video for ‘Your Eyes‘, it’s the second single taken from their new studio album ‘In Your Room‘, which will be released on March 27th via TIME TO KILL RECORDS.
OVERLAPS started in 2017 with the release of 3 singles “Countdown”, “Dreams For Sale” and “On Monday”, produced by Fabio Trentini (Guano Apes, Donots, H -Blockx), and showing the potential of OVERLAPS in mixing atmospheres of the most classic rock with modern influences.
OVERLAPS played the same year at the Bloodstock Festival in UK and the same year saw them performing at the Treviso Home Festival in Italy.
In 2018 OVERLAPS released their debut album and in autumn the same year they did a European tour with 26 dates, as support to the Finnish band THE RASMUS.
OVERLAPS is ready to announce more details of their second album very soon, which will be released via TIME TO KILL RECORDS.
TIME TO KILL RECORDS is a division of KICK AGENCY and was founded in 2016 and is the most chaotic extreme record label in Italy. TIME TO KILL RECORDS is a pure, old school, metal DIY record label and management.
The project is realised with the support of MiBACT and SIAE as part of the initiative “Per Chi Crea”.
It hasn’t been the easiest journey for Yajna. Having overcome many obstacles, including clinical depression, one constant has remained – her music.
Her debut release, Natten Lång, gained significant radio success in Sweden, and helped to refine her musical sound. However, it was in London she felt her true artist was discovered, The Rising Phoenix, and so it continues to be her ‘second home’ and music base.
It was there, where she recorded her epic power-pop trilogy, accordingly titled, The Rising Phoenix. The collection of songs represents her journey from her lowest points, and rising from the ashes stronger than ever.
Through her work and music, Yajna wants to “reach out with a message of hope, love and power, and help others into a healthy, strong and independent lifestyle.“
After appearances on Sky News, Talk Sport,played Live on Talk Radio as well as multiple appearances on BBC Radio and supporting the likes of Gary Barlow, Joel Rothwell has showed no signs of slowing down in 2019. With a headline show at Manchester Academy set for February, and new music on the way, we’re sure to be seeing more of Joel in 2020.
Crafting a flavour of neo-soul, downtempo electronica and elaborate pop, London- born Suffolk-based Caswell was armed with her first microphone as a toddler. After emerging in 2017 she released her debut EP ‘The Shadow Aspect’, she’s since been cited by key online tastemakers as “a viral success” (Clash Magazine) and “London’s newest Superstar” (Wonderland Magazine).
Having worked with influential names in the music business, such as producers and writers for big names including Blackbear, BTS, Britney Spears and Lil Wayne – Kelsey is sure to make an explosive debut. Kelsey’s songs have a genuine and organic sound to them, achieved through writing original music in her bedroom and coffee shops. She begins her musical endeavour just as she propels herself into studying music at NYU Steinhardt.
Having studied piano since when he was 4 before studying music theory and composition Marco was allured by the pull of Dance music and found a passion for making upbeat dance music. Having racked up hundreds of thousands of streams and a reputation to boot, Marco is now hoping to launch his career.
Despite being only 21 years old, GRACEY is already an in-demand songwriter who has written for some of the biggest names in pop. Now, ‘Different Things’ is her beautifully affecting debut single. Written and produced with her long term collaborator Alan Sampson, ‘Different Things’ is an effortlessly forward-thinking and vividly atmospheric raw depiction of a relationship stretched to breaking point. Cut from the same cloth as Sia and Lorde, GRACEY’s Different Things is a taster of what’s to come from this raw new talent.
It’s been a whirlwind few years for singer Yajna, and arguably some of the hardest times she will ever have to experience. Her trilogy of songs, ‘The Rising Phoenix’, representing her journey from the ashes of her lowest points, which included electro-shock treatment as the result of a mentally abusive relationship and subsequent divorce, to her triumphant emergence from the fire, stronger than ever and with a message of hope, love and power.
Her second release from the trilogy, Femenomenal, is about female empowerment and unity.
“This song is about how we are stronger together and that we are amazing humans, phenomenal and femenomenal – that’s my own word.”
“This is a power anthem for a united world”
From her music career, to her charity work and entrepreneurial ventures, Yajna is a woman of many talents. So interesting in fact, that a documentary has been made, following her as she recounts events from her childhood to today. Yajna uses her various outlets and music to send a message of hope, love and power, and help others into a healthy, strong and independent lifestyle.
California’s forthcoming EP, My Name is Freedom, sees her backed by legendary producer and drummer Narada Michael Walden (Whitney
Richie); ace guitarist Vernon “Ice” Black (Diana Ross,
Anastacia; Babyface); James
Henry and veteran vocalists Larry Batiste, Cornell
Carter and Tony Lindsay. Her recently released
single, ‘Star’, aims to “build bridges and promote positivity
ahead of fuelling hate”, and take a stand for those who have suffered
throughout history. Estelle’s own life experiences of living in a racist
society are amplified by her vocals, passionately expressing her views and
seamlessly fusing musical genres of all nationalities.
Emerging from the streets of London, Mike Dadio has brought the rhythmic drums of his Ghana home to the brewing cloup rap scene. Featuring Nigerian rapper Romel and Hurricane Hunt, who has collaborated with the likes of Wretch 32 and Avelino, ‘Fake N Dat’ fuses cultures to inject afro-beat baselines and African drum rhythms into the track’s cloud rap production.
Letting the synths and drums guide him, Mike doesn’t allow himself to be boxed into a genre. Taking influences from Wiskid, Davido and Burna Boy, his main aim is to have his tracks resonate with listener in a way that it talks of the real problems of real life.
For Mike, music is a form of escapism and this is demonstrated in the upbeat, absorbing nature of Fake n Dat. Following the release of his track ‘No Limit’ in December, ‘Fake n Dat’ is the first track from Mike to be released in 2019 and undeniably sets an exciting precedent for more music to come from one of London’s up and coming go-to producers!
Last week gave us the visual release of Alex Dutty’s infectious single Emoji. Taken from his debut album ‘Knock Down Ginger‘, the track features the reggae style vocals of Black Rose and with its consistent heavy-bass beats, rhythmic dancehall undertone and catchy chorus, the track is one to play on repeat.
Choosing to avoid the stereotypical ‘guns, drugs, money and hoes’ content, Alex delivers brutally candid and relatable accounts of his childhood and life in London. After being influenced by UK sounds like Garage, Grime and Drill, Alex mixes that with his love of Toronto style production, his R&B and rap influences from the nineties and Reggae Dancehall with a touch of Afro Beat.
Having garnered support slots for the likes of Kano, Ghetts, Wiley and Bashy, Alex is no stranger to grime royalty and the buzz of the support slots and his DIY work ethic saw the rapper sell 60,000 copies of his mixtapes collectively – earning him a nomination at the coveted Official Mixtape Awards two years running.
Gaining influences in both music and his raw reality of growing up in a broken home, Alex infuses these to produce the diversity that is Alex Dutty and balances this whilst creating a very unapologetic but unique soundscape.
With spacey vocals that resonate those of Nao and Mura Masa, Becce J has paired up with grime royalty D Double E to create one of the catchiest tracks to come out of 2019 so far with Timing. The track indulges hypnotic bass lines and chilled loops, with a consistent beat that gives the track an infectious rhythm.
Hailing from Preston, Lancashire, Becce J’s journey to release Timing would have seen many others give up at the first hurdle and her struggle rings true in the track lyrically with her inspirational message to carry on pursuing your dreams despite life’s ups and downs.
D Double E’s own journey has seen him hailed as one of the founding fathers of Grime, beginning with N.A.S.T.Y Crew and then the seminal Newham Generals – Newham now becoming as synonymous as the great bases of US rap, with the headlines relating to 21 Savage’s up-bringing.
With its crisp beats, memorable chorus and of course, D Double E’s trademark rap, Timing is a necessary good-vibe soundtrack this weekend.